You’ve had more time than usual to appraise your surroundings, so take the opportunity to challenge your perspective and elevate your interior with this selection of refined masterpieces.
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Waning Gibbous to Waxing Crescent, February 2020, 37°20’33.4”S 175°30’30.5"E (2020) by Katie van der Drift
Waning Gibbous to Waxing Crescent, February 2020, 37°20’33.4”S 175°30’30.5"E (2020) by Katie van der Drift
$5,250
Chromogenic Photograph from 4×5” Negative
1220 x 980mm
From Sanderson Contemporary
Reality Effect by Matt Arbuckle
Reality Effect by Matt Arbuckle
$3,500
Acrylic and oil stick on knitted polyester
620 x 825mm (framed in aluminium)
From Parlour Projects
A Place to Stand 20 by Natasha Wright (2020)
A Place to Stand 20 by Natasha Wright (2020)
$1,950
Acrylic and ink on paper
350 x 250mm (framed)
From Sanderson Contemporary
A State Of Mind by Billie Culy (2020)
A State Of Mind by Billie Culy (2020)
$2,550
Archival pigment ink on Hahnemühle 100% cotton rag paper with white frame
Edition of 10
736 x 914mm
From Parlour Projects
Exams by Josephine Cachemaille (2019)
Exams by Josephine Cachemaille (2019)
$3,500
Acrylic on canvas
1300 x 900mm
From Sanderson Contemporary
North Otago Landscape by Colin McCahon (1968)
North Otago Landscape by Colin McCahon (1968)
POA
Screenprint on paper
560 x 760mm
From Gow Langsford Gallery
The Sun is in the Window by Dick Frizzell & Martin Poppelwell (2020)
The Sun is in the Window by Dick Frizzell & Martin Poppelwell (2020)
POA
Screenprint
Edition of 80
890 x 620mm
From Melanie Roger Gallery
I Have No Words by Teresa HR Lane (2020)
I Have No Words by Teresa HR Lane (2020)
$4,950
Mixed media collage
750 x 750mm, framed
From Sanderson Contemporary
Last Light by Alex Monteith (2016)
Last Light by Alex Monteith (2016)
POA
Archival Pigments on Paper
600 x 400mm (640 x 440mm framed)
From Gow Langsford Gallery
